It is difficult to choose from Bill Hoffman’s writings because they are all so compelling. Street by street and door by door and character by character he documented an important piece of Saint Paul—Jewish life on the West Side flats—that no longer exists. Hoffman should be required reading for recent immigrants and for those who have forgotten that their families were once immigrants.
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Her garden, growing on Germain Street, needed just as much as a baby, every bit of her attention, love, and care. We moved so many times. The house on Germain was the fourth we moved into, but not the last. The backyard of this house was a bit narrow and long and even had a little hill that led to a small woodsy area. Almost every day from spring until early fall, my mother came home to her garden ready to care for it. She threw on her black short-sleeved shirt, navy blue shorts, size five black Old Navy sandals, and a pair of yellow rubber gloves.
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We were halfway around Como Lake when I heard it—the long mournful three-tone whistle-cry that grew in volume. I stopped. What is that? What is that? I know that sound. But it was utterly out of context, and I had to think to place it. The bird called again. I stopped Doug and made him take out his earbuds. (He was listening to American Music Club on his iPod.) Doug, I hear a loon!
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One of my favorite places in Saint Paul is Rachel’s Trees. Rachel’s Trees is a memorial to my sister who passed away a few days after birth. The trees are a small part of Como Park, but they are beautiful. They bloom white buds in the spring. They are only about five feet tall, but they are very important to me. Usually my mom, dad, and I go down to see the trees on my birthday.
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Downtown Saint Paul is rarely accused of being exotic. But hidden right in its midst is a thriving, bustling microcosm of the great wide world. I’m talking about Seventh Place. Only one block long, Seventh Place is Saint Paul’s answer to European pedestrian-only city centers. From the golden entry archway facing St. Peter Street to the frequent bustle of the Wabasha pedestrian crossing, the patterned brick underfoot lifts its denizens out of the workaday world and transports them to an old city square in Nordic Europe, or on days when the farmers’ market is in session, to Southeast Asia.
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It isn’t as far from Saint Paul to Nepal as you might think it is. This was all brought home to me several years ago, in the men’s room of O’Gara’s Bar and Grill on Snelling Avenue in Saint Paul, where I experienced an epiphany while gazing up at its fourteen-foot-high walls, and saw there evidenced a feat of heroic proportions—surely on a par, for ordinary men, that is, with Sir Edmund Hillary and Tenzing Norgay in their conquest of Mount Everest.
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In the drama of my family, the Uptown Theatre played a lead role. Sitting in the middle of the block at 1053 Grand Avenue, the theater began as the Oxford in 1921. In 1929, the Uptown was reborn as an “atmospheric theatre” with an Italian motif, stucco walls, faux balconies, stars and clouds on the ceiling, and a brightly lit marquee. In the 1950s, it was again remodeled in mid-century modern style. In 1976, the Uptown turned its lights out for the last time, to make way for a parking lot.
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Ceres, Goddess of Corn, grieved and raged
for her stolen daughter. They say she withheld
the harvest. But corn was already here...
