Dr. Sobkoviak of Frogtown, our dentist, stood looking out the window of his office at Western and University and saw Russia. As he changed the point of the drill, looking straight through Old Home Dairy across the street into the Kremlin, he warned me about Nikita Krushchev. He was slow and thorough, stopping to polish his glasses in front of that window. In his starched white tunic, he was a true professional.
The only time I ever lost my wallet was at a Twins game in 1972. When I discovered my back pocket was empty, I remember my brother Tom and I running across the parking lot and crawling under a half-open service door to get back into Met Stadium. As we walked through the bowels of that venerable sports palace looking for help, my stomach was in knots thinking about losing over sixty dollars, my driver's license, credit card and student discount card for Burger King. Suddenly, we spotted a burly figure coming towards us. Was this my angel of mercy?
The segments could be about any subject we chose—as long as it pertained to Saint Paul. I learned that more than a few of those on hand already had extensive experience as television producers and/or videographers. For complete novices like me, SPNN planned to offer crash courses in video camera operation, lighting, and editing. The classes were quick but comprehensive, and gave me enough confidence to take the plunge into shooting my first video. I submitted my proposal for the project and felt ready to check out the necessary equipment and start filming.
Tennessee Williams. Arthur Miller. August Wilson. When you list the playwrights of American theater whose work transcends all others, those three names stand at the top. Much of Wilson’s defining ten-play saga of African American life in the twentieth century, a massive undertaking with a play for every decade, was written right here in Saint Paul. That includes the first to hit Broadway (Ma Rainey’s Black Bottom) and the Pulitzer Prize winners Fences and The Piano Lesson.
Aiken studied at the Minneapolis College of Art and Design, where he learned to harness and integrate his calling as a healer with his creative gifts and, like his mother, to use them sensibly. The motto that he lives each day is, “I create my art to heal the hearts and souls of people in the communities by evoking a positive spirit.”
"I have this flame of hope that does not go out. I believe I can make the world a better place, I believe it, I believe it, I believe it, and I'm going to keep pushing," she says. Contreras Edin is the executive director of Centro Legal, a nonprofit legal agency that has been providing legal services to the Latino community in Minnesota for over twenty-five years.